Area di ricerca: COLLANA
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| 1. |  € 100,00 | EAN-13: 9782503580258 E. Lamas
Copies of Flemish Masters in the Hispanic World (1500-1700). Flandes by Substitution
| Edizione: | Brepols Publishers, 2021 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 100,00 | | Descrizione | The artistic heritage of the regions that once formed part of the former Spanish Empire includes a large number of painted copies after Flemish masters made during the sixteenth and the seventeenth centuries. Most of these works have received little attention, even though they constitute a valuable source for understanding the artistic influence of the Southern Netherlands on Spanish and Latin American art and society in this period. Indeed, the study of copies of Flemish masters sheds light on a number of art-historical issues, including the means of diffusion of artistic models, stylistic trends and the dynamics of the art market and the world of collecting. These copies are a valuable testimony to the political, commercial and cultural ties that existed between the Hispanic territories and the Southern Netherlands. |  Aggiungi al Carrello |
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| 2. | € 50,00 | EAN-13: 9783990201558 S. Ferino-Pagden
Velázquez: Anregungen, Vorschläge, Lösungen. Suggestions, Proposals, Solutions
| Edizione: | Brepols Publishers, 2019 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 50,00 | | Descrizione | A thematically and methodologically diverse collection of papers on the work of Diego Velázquez presented on occasion of the seminal exhibition of the artist?s oeuvre at the Kunsthistorisches Museum in Vienna. | Aggiungi al Carrello |
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| 3. | € 95,00 | EAN-13: 9782503549484 L. Duerloo
The Age of Rubens. Diplomacy, Dynastic Politics and the Visual Arts in Early Seventeenth-Century Europe
| Edizione: | Brepols Publishers, 2016 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 95,00 | | Descrizione | This thoroughly interdisciplinary collection of essays explores the multi-faceted relationship between international politics, diplomacy and the visual arts that developed during the early seventeenth century. Several chapters provide major re-evaluations of the career of Peter Paul Rubens as an artistdiplomat, based on previously neglected manuscript sources and a deepened analysis of the social and political environments in which he operated. Other contributors focus on Rubens?s contemporary court artists, such as Anthony van Dyck, Guido Reni and Diego Velázquez. In addition to providing original interpretations of several important paintings and painting cycles, the volume examines such topics as the evolution of personified images of nationality, representations of dynastic marriages, the material culture of royal bridal trousseaus, the importance of details of costume and colour to the visual codes of baroque courts, and the roles played by artists within court societies. Ranging across Western Europe, from England to the Low Countries, France, Germany, Spain and Italy, these essays demonstrate conclusively the subtlety and complexity of visual communication within early baroque court societies, which enabled artists to convey complex political messages through paintings. The contributors to this volume display a variety of methodological approaches, demonstrating many different ways in which historical research can be fruitfully integrated with art historical analysis to generate new insights into both the visual culture and the politics of baroque Europe. | Aggiungi al Carrello |
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| 4. | € 85,00 | EAN-13: 9782503565552 L. Stoenescu
Creative and Imaginative Powers in the Pictorial Art of El Greco
| Edizione: | Brepols Publishers, 2016 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 85,00 | | Descrizione | A collection of novel and provocative insights into El Greco's pictorial art based on art-historical, social and historiographical sources and methodologies. | Aggiungi al Carrello |
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| 5. | € 90,00 | EAN-13: 9782503566344 M. Hale
Cambridge and the Study of Netherlandish Art. The Low Countries and the Fens
| Edizione: | Brepols Publishers, 2016 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 90,00 | | Descrizione | Nine essays explore the study and collecting of Netherlandish art in Cambridge. | Aggiungi al Carrello |
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| 6. | € 85,00 | EAN-13: 9782503554860 H. Magnus
Facts and Feelings. Retracing Emotions of Artists, 1600-1800
| Edizione: | Brepols Publishers, 2015 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 85,00 | | Descrizione | This interdisciplinary volume is a unique combination of the history of early modern emotions and art history, bringing together case studies which provide us with new insights on early modern artists and their emotional lives, often based on archival and literary sources. | Aggiungi al Carrello |
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| 7. | € 65,00 | EAN-13: 9782503535265 J. Cranston
Venetian Painting Matters, 1450-1750
| Edizione: | Brepols Publishers, 2015 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 65,00 | | Descrizione | This publication presents a collection of essays about painting in Venice from 1450 until 1750 with a central focus on the formal, stylistic, and structural aspects of the pictures. | Aggiungi al Carrello |
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| 8. | € 75,00 | EAN-13: 9782503542287 L. Kelchtermans
Embracing Brussels. Art and Culture in the Court City, 1600-1800
| Edizione: | Brepols Publishers, 2013 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 75,00 | | Descrizione | It would appear that ?Flemish Baroque? has come to be regarded as synonymous with ?Antwerp Baroque?. The aim of this publication on art and art production in Brussels in the period 1600?800 is to reconsider the art-historical position of Brussels as a major hub of activity and place of residence for courtiers and artists alike. Attention will focus on matters as diverse as literature, music, housing, and the guild system, besides which aspects of the art trade, style differentiation and case studies relating to individual artists will be discussed. In the seventeenth and early eighteenth centuries, the Habsburg Court was viewed as the supreme creative centre, where systems of symbols were forged and propagated that were designed to display both the artist?s craftsmanship and the ruler?s piety.
I. The Context of The City, Veerle De Laet, At home in seventeenth-century Brussels. Patterns of art and luxury consumption, Harald Deceulaer, Fashion, innovation and regional distribution. The clothing trades in Brussels, sixteenth?ighteenth centuries, Karel Porteman, A few literary-historical vedute of seventeenth-century Brussels, Maartje De Wilde, De lokroep van de nachtegaal: wereldlijke liedboeken uit het zeventiende-eeuwse Brussel
II. Art Production & Art Dealing, Elisabeth Bruyns, L?encadrement des peintures à Bruxelles au dix-septième siècle,Beatrijs Wolters van der Wey,?A la recherche du temps passé?. Het belang van contextualisering voor de interpretatie van zeventiende-eeuwse Brusselse ambachts- en gildeportretten, Eelco Nagelsmit, Miracles made to measure: Theodoor van Loon?s altarpieces for the Brussels Grand Beguinage, Dries Lyna, ?La peinture ne flattoit plus les personnes?. Private collections of paintings in eighteenth-century Brussels
III. The Context of The Court, Piet Stryckers, Music and music production in seventeenth-century Brussels, Leen Kelchtermans, Adellijke promotie verbeeld: Peter Snayers? portretten van Alexandre Hippolythe de Bournonville voor zijn Brusselse stadspaleis, Jean-Philippe Huys, Contribution à l?art de cour à Bruxelles autour de 1700. Notes sur des artistes au service de l?électeur Maximilien II Emmanuel de Bavière
IV. Some Interesting Cases, Pierre-Yves Kairis, Bruxelles ?Liège et retour dans la peinture du dix-septième siècle, Koenraad Brosens en Guy Delmarcel, Landschappen met jachttaferelen door Norbert Van Bloemen en Pieter Rysbrack (c. 1700). Brusselse wandtapijten ?à l?anversoise?, Leen Kelchtermans, Brussel ?Leeuwarden: nieuwe gegevens over de Brusselse schilders Lancelot en Louis Volders
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| 9. |  € 70,00 | EAN-13: 9782503542270 K. Brosens
Family Ties. Art Production and Kinship Patterns in the Early Modern Low Countries
| Edizione: | Brepols Publishers, 2012 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 70,00 | | Descrizione | Table of Contents:
Hessel Miedema, Kinship and Network in Karel van Mander; Axel Marx, Why Social Network Analysis Might Be Relevant for Art Historians: a Management Perspective; Koenraad Brosens, Can Tapestry Research Benefit from Economic Sociology and Social Network Analysis?; Neil De Marchi and Hans J. Van Miegroet, Uncertainty, Family Ties and Derivative Painting in Seventeenth-Century Antwerp; Rudi Ekkart, Dutch Family Ties: Painter Families in Seventeenth-Century Holland; Brecht Dewilde, On Noble Artists and Poor Painters: Networking Artists in Renaissance Bruges; Natasja Peeters, From Nicolaas to Constantijn: the Francken Family and their Rich Artistic Heritage (c. 1550?717); Miroslav Kindl, The De Herdt (De Harde) Family in the Service of Emperor Leopold in Vienna; Nils Büttner, Rubens & Son; Jeremy Howarth, The Steenwyck Paintings, Products of Family Enterprise; Hans Vlieghe, Going their Separate Ways: the Artistic Inclinations and Paths of David Teniers I, II and III; Prisca Valkeneers, Justus van Egmont (1602?674) and his Workshop in Paris; Bert Timmermans, ?Siet wat een vrucht dat baert hen kercken te vercieren?. Family, Agency and Networks of Patronage: towards a Mapping of the Revival of the Family Chapel in Seventeenth-Century Antwerp; Alison Stoesser, Lucas and Cornelis de Wael: their Family Network in Antwerp and Beyond | Aggiungi al Carrello |
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| 10. | € 55,00 | EAN-13: 9782503545967 K. Jonckheere
Art after Iconoclasm. Painting in the Netherlands between 1566 and 1585
| Edizione: | Brepols Publishers, 2012 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 55,00 | | Descrizione | Rather than as a destructive moment in history, the Iconoclasm of 1566 in the Netherlands was the catalyst for a re-evaluation of (religious) art in the Low Countries. It forced painters to question the very nature of the artistic tradition they grew up in. Is it merely a coincidence that the art markets changed so swiftly after the Fall of Antwerp, that art theory in the Low Countries originated in the wake of Iconoclasm (De Heere, Lampsonius, ...), or that painting in the second half of the sixteenth century saw the impetus of new styles, genres, specialisations (Aertsen, De Beuckelaer, ?)? Iconoclasm forced people to think about art. The generation of painters active in the two decades between the Beeldenstorm and the fall of Antwerp did this by questioning the decorum of the work of their famous predecessors. This volume, with contributions by eminent specialists in the field, addresses some of these questions and by doing so marks the beginning of a re-assessment of one of the most fascinating and complex but also understudied periods in Netherlandish Art History. | Aggiungi al Carrello |
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| 11. |  € 65,00 | EAN-13: 9782503535692 K. Van der Stighelen
The Nude and the Norm in the Early Modern Low Countries
| Edizione: | Brepols Publishers, 2011 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 65,00 | | Descrizione | Table of Contents :
Katlijne Van der Stighelen, Introduction - Eric Jan Sluijter, The Nude, the Artist and the Model: The Case of Rembrandt - Erna Kok, The Female Nude from Life: On Studio Practice and Beholder Fantasy - Victoria Sancho Lobis, Printed Drawing Books and the Dissemination of Ideal Male Anatomy in Northern Europe - Paul Taylor, Colouring Nakedness in Netherlandish Art and Theory - Hubert Meeus, Two Founts of Ivory: Nudity on Stage in the Seventeenth Century Low Countries- Johan Verberckmoes, Is that Flesh for Sale Seventeenth-Century Jests on Nudity in the Spanish Netherlands - Ralph Dekoninck, Art Stripped Bare by the Theologians, Even: Image of Nudity / Nudity of Image in the Post-Tridentine Religious Literature - Veerle De Laet, Een Naeckt Kindt, een Naeckt Vrauwken ende Andere Figueren: An Analysis of Nude Representations in the Brussels Domestic Setting | Aggiungi al Carrello |
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| 12. |  € 75,00 | EAN-13: 9782503525648 K. Van der Stighelen
Pokerfaced. Flemish and Dutch Baroque Faces Unveiled
| Edizione: | Brepols Publishers, 2011 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 75,00 | | Descrizione |
J. Bos, 'Between Physiognomy and Pathognomy. Theoretical
Perspectives on the Representation of Characters and Emotions in
the Seventeenth Century'; U. Heinen, 'Velum est timantis
imago. The Portraits of Stoics and the Stoicism of Portrait';
B. Watteeuw, 'Oppervlakkig of onderhuids Over het psychologisch
portret en de psychologie van het portretteren (1600-1650)'; J.
Dequeker, 'A Physicians View Beyond the Curtains of
Seventeenth-Century Flemish and Dutch Baroque Portraits'; H.
Roodenburg, 'Netherlandish Baroque Portraits and Civil
Conversation'; R. Van Leeuwen, 'The Portrait Historié in
Religious Context and its Condemnation'; D. Meuwissen, 'A Change in
Tradition. The Seventeenth-Century Portraits in the Series with the
Land Commanders of the Utrecht Bailiwick of theTeutonic Order'; K.
De Clippel, 'Naked or Not Naked Some Thoughts on Nudity and
Portraiture in Seventeenth-Century Flemish Painting'; R. Ekkart,
'Het portret van de schilder en zijn familie. De familie van
Mierevelt geschilderd door Pieter van Mierevelt'; B. Timmermans,
'Het (familie-)portret als visuele stamboom en maatschappelijk
gezicht bij de zeventiende-eeuwse Antwerpse elites'; A. Jensen
Adams, 'The Family Portrait Historié and the Viewer in
Narrative Time'; J. De Landtsheer, 'Justus Lipsius (1547-1606). A
Scholar and His European Network'; J. Muller, 'Eucharist and
Eternal Life. The Wardens of the Sacrament Chapel in the St.
Jacobs Church Antwerp, Immortalised in their Group Portrait
by Pieter Thys'; Z. Zaremba Filipczak, 'Portraits of Women who Do
Not Love to be Lead by the Nose'; K. Hearn, 'Pregnancy Portraits in
Sixteenth- and Early Seventeenth-Century England'; K. Van der
Stighelen, 'Portretten en hun perceptie. De barokke blik op het
portret.'
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| 13. | € 75,00 | EAN-13: 9782503530956 G. Maes
Les Échanges artistiques entre les anciens Pays-Bas et la France
| Edizione: | Brepols Publishers, 2010 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 75,00 | | Descrizione | Jusquà présent, létude des échanges artistiques entre les pays européens à lépoque modern a toujours privilégié les relations avec lItalie, considérée comme le berceau de la Renaissance. Afin déclairer dautres aspects de lart occidental, les contributions dans ce volume proposent de sinterroger sur les échanges artistiques entre la France et les anciens Pays-Bas (Provinces-Unies et Flandres) selon une chronologie large et selon six thèmes qui prennent en compte lartiste et la production artistique dans leurs aspects les plus divers (à lexception du marché de lart qui, lui, a fait lobjet de nombreux colloques spécifiques) : les livres, les zones-frontières, les artistes, la gravure, les vres, les institutions. | Aggiungi al Carrello |
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| 14. | € 65,00 | EAN-13: 9782503518091 S. Ferino-Pagden
Giorgione Entmythisiert
| Edizione: | Brepols Publishers, 2008 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
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Vorwort
Sylvia Ferino-Pagden, Einleitung;
Charles Hope, Giorgione in Vasaris Vite.; Salvatore Settis, Esercizi di
stile: una Vecchia e un Bambino.; Paul Holberton,
Giorgiones sfumato.; Alessandro Nova, Giorgione e Tiziano
al Fondaco dei Tedeschi.; Augusto Gentili, A proposito di
Giorgione: aspirazioni, esiti e miti delliconologia.; Mauro
Lucco, Uscito dalla scuola del Bellino. Qualche nota
tecnica sugli inizi di Giorgione.; David Alan Brown,
Giorgiones Man in Armor.; Jaynie Anderson,
The Giorgionesque Portrait II:
Representation of Homosociality, or the Representation of Friendship,
in Renaissance Venice.; Bernard Aikema, Giorgione and the
Seicento or How a Star was Born.
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| 15. | € 80,00 | EAN-13: 9782503518381 I. Alexander-Skipnes
Cultural Exchange between the Low Countries and Italy (1400-1600)
| Edizione: | Brepols Publishers, 2007 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
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Contents:
Preface - Diane Wolfthal, Florentine Bankers, Flemish Friars,
and the Patronage of the Portinari Altarpiece Michael
Rohlmann, The Annunciation by Joos Ammann in Genoa:
Context, Function and Metapictorial Quality Creighton
Gilbert, Piero and Bouts Francis Ames-Lewis, Sources and
Documents for the Use of the Oil Medium in Fifteenth-Century
Italian Painting Maria Clelia Galassi, Aspects of Antonello
da Messinas Technique and Working Method in the 1470s:
Between Italian and Flemish Tradition Colin Eisler, Flying
Pictorial Carpets - Tapestries Transalpine Agendas Ingrid D. Rowland, Agostino Chigis Flemish Connection
Elizabeth Ross, Mainz at the Crossroads of Utrecht and
Venice: Erhard Reuwich and the Peregrinatio in terram
sanctam (1486) Ingrid Alexander-Skipnes, Northern
Realism and Carthusian Devotion: Bergognones Christ
Carrying the Cross for the Certosa of Pavia Marina
Belozerskaya, Critical Mass: Importing Luxury Industries Across the
Alps Barbara G. Lane, Memlings Impact on the Early
Raphael Laura D. Gelfand, Regional Styles and Political
Ambitions: Margaret of Austrias Monastic Foundation at Brou
Yona Pinson, Moralized Triumphal Chariots - Metamorphosis
of Petrarchs Trionfi in Northern Art (c. 1530- c.
1560) Frits Scholten, Spiriti veramente divini:
Sculptors from the Low Countries in Italy, 1500-1600 Nello
Forti Grazzini, Brussels Tapestries for Italian Customers: Cardinal
Montaltos Landscape with Animals Made by Jan II
Raes and Catherine van den Eynde Bibliography - Colour
Plates
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| 16. | € 75,00 | EAN-13: 9782503515069 S. Ferino-Pagden
Tizian versus Seisenegger. Die Portraits Karls V. mit Hund. Ein Holbeinstreit
| Edizione: | Brepols Publishers, 2006 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
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Sylvia Ferino-Pagden, Einleitung; Alfred Kohler,
Karls V. zweite Reise nach Bologna 1532/33; Diane H.
Bodart, Frédéric Gonzague et Charles Quint, Enjeux politiques et
artistiques des premiers portraits impériaux par Titien;
Fernando Checa, Carlos V con un perro, de Tiziano. Problemas de
una imagen;
Karl Schütz, Jakob Seiseneggers Bildnis Kaiser Karls V. Die
Geschichte einer Entdeckung; Elke Oberthaler, Jakob Seiseneggers
Portrait Karls V. mit HundAnmerkungen zu Technik,
Erhaltungszustand und Restaurierung; Kurt Löcher, Jakob Seiseneggers Bildnisse
Kaiser Karls V. in ganzer Figur; Ludwig Igálffy-Igály,
Herkommen und Nachfahren des Malers Jakob Seisenegger und eine
Neubewertung seines Ganzportraits Karls V.Eine Studie zur
Lebenszeit Ferdinands I; Charles Hope, Titian and some
Portraits of Charles V; Christian Beaufort-Spontin, Des
Kaisers bevorzugte Kleidung. Zur Bekleidung Kaiser Karls V. in den
Portraits von Tizian und Seisenegger; Till-Holger Borchert, Auf
den Hund gekommen. Das Portrait Karls V. mit Hund von Tizian und
Seisenegger; Gabriele Goffriller, Tizians Mann mit
Hund -- im Widerspruch zur Tradition des ganzfigurigen
Herrscherportraits am Kaiserhof; Matteo Mancini, Luso
della copia de trivial pennello e lattualità cronologica nella
ritrattistica di Tiziano; Karl Rudolf, Karl V. in der
politisch-dynastischen Ikonographie des Historismus der
Habsburgermonarchie. Tizian oder Seisenegger; Karin Zeleny,
Chloridis Epigrammata. Zwei zeitgenössische () lateinische
Gedichte zu Tizians Portrait Karls V. mit englischem
Wasserhund; Andreas Beyer, Tizian versus Seisenegger: Ein
Holbeinstreit. Der Wiener Bilderstreit; Gabriele Goffriller,
Zugelaufen!
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| 17. | € 95,00 | EAN-13: 9782503515083 T. Van Bueren
Care for the Here and the Hereafter. Memoria, Art and Ritual in the Middle Ages
| Edizione: | Brepols Publishers, 2005 | | Collana: | Museums at the Crossroads |
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Truus van Bueren, Care for the Here
and the Hereafter: a Multitude of Possibilities; Samuel K. Cohn,
Jr., Triumph over Plague: Culture and Memory after the Black
Death; Truus van Bueren and Otto Gerhard Oexle, Das Imaginarium
der Sukzession: Über Sukzessionsbilder und ihren Kontext; Brigitte
Bøggild Johannsen, Genealogical Representation in Gendered
Perspective: on a Lost Royal Mausoleum from Early Sixteenth-Century
Denmark; Jeroen Stumpel, The Case of the Missing Cross: Thoughts
on the Context and Meaning of the Nassau Monuments in Breda; Volker
Schier, Memorials Sung and Unsung: Liturgical Remembrance and its
History; Corine Schleif, Forgotten Roles of Women as Donors:
Sister Katerina Lemmels Negotiated Exchanges in the Care for the
Here and the Hereafter; Bram van den Hoven van Genderen, Utrecht
Canons, Death and Funeral Regulations; Llewellyn C.J.J. Bogaers,
Commemoration in a Utrecht Collegiate Church: Burial and Memorial
Culture in St. Peters (1054-1784); Louise van Tongerloo,
Grablegung und Totengedenken bei Pilgerbruderschaften in Utrecht,
mit einer Neuinterpretation von Scorels und Mors Bildnisreihen von
Jerusalemfahrern; Bini Biemans and Truus van Bueren, A Veritable
Treasure Trove: the Memorial Book of St. Nicholass Convent in
Utrecht and Its Art Donations; Bram van den Hoven van Genderen,
Remembrance and Memoria: the Descriptions of Four Churches
Compared; Julian Gardner, Epilogue: From hence your
memory death cannot take; About the authors and editors,
Indexes.
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| 18. | € 70,00 | EAN-13: 9782503516042 B. Brinkmann
Hans Holbein und der Wandel in der Kunst des fruehen 16.Jahrhunderts
| Edizione: | Brepols Publishers, 2005 | | Collana: | Museums at the Crossroads |
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Inhalt
Bodo Brinkmann und Wolfgang Schmid, Bildung, Reichtum, Luxus und
Geschmack. Parameter für die Kunst der Holbeinzeit: Versuch einer
Einführung
Stilwandel und neue Aufgaben
Kurt Löcher, Von Barthel Bruyn zu Jakob Seisenegger. Neue
Ansätze in der deutschen Bildnismalerei ab 1525; Bernd W.
Lindemann, Parallele Wahrnehmung bei Hans Daucher; Berthold
Hinz, Lucas Cranach d.î Profanierung der Bildthemen und Wandel des
Figurenstils nach Beginn der Reformation; Jürgen Müller, Holbein
und die Antike. Das Laokoonmotiv in der druckgraphischen Kunst nach
Hans Holbein d.J.
Die Situation der Künstler
Wolfgang Schmid, Köln - Frankfurt - Nürnberg. Lokale Traditionen
und überregionaler Austausch; Thomas Eser, Holbeins Söhne. Zur
berufsstrategischen Alternative "Goldschmied oder Maler" im
16. Jahrhundert; Christof Metzger, Fallbeispiel Nördlingen oder:
"geschnitzte pild und götzen, so jetz nichts mehr sein noch
gelten"
Die Rolle der Auftraggeber
Freya Strecker und Helmut Zäh, Hans Burgkmairs Kreuzigungsaltar
und die Peutinger. Familiengedenken im Augsburg der Renaissance;
Kerstin Merkel, Grabplatten und Gewürzküchlein. Kaspar Nützel als
Mittler zwischen Kardinal Albrecht von Brandenburg und den Nürnberger
Bronzekünstler Vischer; Stefan Heinz, Grosse Kunst in einer
kleinen Residenz. Die Grabdenkmäler der Herzöge in Simmern
Szenenwechsel: die europäsche Perspektive
Mark Evans, The pedigree of the protrait miniature. The European
sources of an English genre; Bodo Brinkmann, "Quelque chose
d'un peu sauvage". Ein ungewöhnliches Interieur für den Bruder
eines Holbein-Kunden; Tomasz Torbus, Italien in Krakau. Der Bau
des Königschlosses auf dem Wawel und der Sigismund-Kapelle (ca.
1504-1537); Michael Roth, daniel Mauch. Ein Bildhauser zwischen
Ulm und Lüttich
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| 19. | € 65,00 | EAN-13: 9782503516899 M.-C. Heck
Le Rubénisme en Europe aux XVIIe et XVIIIe siècles
| Edizione: | Brepols Publishers, 2005 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 65,00 | | Descrizione |
I. La réception du
modèle rubénien aux XVIIe et XVIIIe
siècles
A. Merle du Bourg, Rubens en France au XVIIe siècle:
tableaux, cartons et esquisses; P. Michel, Rubens et les
collectionneurs français au XVIIIe siècle: contribution à
lhistoire dune réception; N. Harabasz, La
diffusion de lart de Rubens par lestampe: réception dans
la France fin XVIIe-XVIIIe siècle; G. Maes,
La réception de Rubens en France au XVIIIe siècle:
quelques jalons; J. Martin Muller, Rubens Altarpiece in
the Antwerp Dominican Church: How Visitors and Guidbooks saw
it
II. Regards, copies et interprétations
E. Delapierre, De la plume au pinceau. Quelques réflexions sur la
querelle du coloris: entre théorie et pratique; P. Bertrand, La
tapisserie et Rubens; M. Boudon, Lvre de Rubens,
modèle pour les sculpteurs Le cas de Van Opstal et de Du Quesnoy;
A. Magnien, Du rubénisme dans la sculpture: la couleur, le coloris
et la chair; S. Raux, Les dessins de Fragonard daprès
Rubens: transposition, interprétation, création
III. Les enjeux
théoriques de la Querelle du coloris et du
rubénisme
L. de Vries, Rubens Medici Cycle: Italian Art Theory and
Flemish Painting; C. Michel, Y a-t-il eu une querelle du
rubénisme à lAcadémie royale de Peinture et de Sculpture;
Th. Puttfarken, Titian Rubens de Piles; M.-C.
Heck, Le regard paradoxal de Joachim von Sandrart sur Rubens;
Th.W. Gaehtgens, Johann Jakob Wilhelm Heinse, une réception
particulière de Rubens; Th. DaCosta Kaufmann, Maulbertsch et la
Querelle du coloris en Europe Centrale au XVIIIe
siècle
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| 20. | € 70,00 | EAN-13: 9782503515007 K. Van der Stighelen
Sponsors of the Past. Flemish Art and Patronage, 1550-1700
| Edizione: | Brepols Publishers, 2005 | | Collana: | Museums at the Crossroads |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 70,00 | | Descrizione |
K. De Jonge, A model court
architect: Mary of Hungary and Jacques Du Broeucq (1545-1556)
J. Juan Pérez Preciado, Aarschot and Solre. The collections,
patronage and influence in Spain of two Flemish noblemen
S. van Sprang, Les peintres de la cour d' Albert et Isabelle:
une tentative de classification
D. Howarth, Rubens and Philip IV: a reappraisal
H. Vlieghe, 'Frayicheyt ende kunst daer syne inclinatie toe
stryckt': beschouwingen over het mecenaat van aartshertog
Leopold-Wilhelm tijdens zijn landvoogdij over de Zuidelijke Nederlanden
(1647-1656)
K. Van der Stighelen, 'Prima inter pares'. Over de voorkeur
van Aartshertog Leopold-Wilhelm voor Michaelina Woutiers (ca 1620-na
1682)
J. M. Muller, Institution and framework: the new chapter of canons
and its choir space in the St. Jacob's Church, Antwerp
C. Göttler, Saints and patronage: Peter Paul Rubens and Maximilian
Villain de Gand in the cathedral of Tournai
B. Haeger, Abbot Van der Steen and St Michael's abbey: the
restoration of its church, its images, and its place in Antwerp
V. Herremans, Vroomheid
verbeeld. Iconografie van de 17de-eeuwse Zuid-Nederlandse
retabelsculptuur: het aandeel van de opdrachtgever
B. Timmermans, Een elite als actor binnen een zeventiende-eeuwse
kunstwereld. Uitbouw en patronen van patronage(netwerken) in de
Antwerpse Nazomer
B. Welzel, Rubens' Anbetung der Könige 1608 und 1628/29: die
Gestaltung für verschiedene Patrone
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